Down East Music at Summerfolk

It wouldn't be Summerfolk without a taste of East Coast music and this year is no exception. From PEI, the fantastically fun Acadian duo Chuck & Albert and legendary songwriter Lennie Gallant. And from the Rock, Russells in the Corner for their first mainland appearance and Newfoundland's hip traditional band The Dardanelles.


Russells in the Corner

The family group Russells in the Corner come from Bell Island, Newfoundland. Featuring Dad - Kelly Russell, Mom - Tonya Kearley Russell, and daughters Naomi age 12 and Tamsyn age 9. Collectively they are skilled in Newfoundland fiddle and accordion music, folk song, storytelling and traditional dance.

Kelly Russell was an original member of landmark Newfoundland bands Figgy Duff and The Wonderful Grand Band during the 1970s and more recently, The Irish Descendants and The Plankerdown Band. He also spent 10 years working closely with Newfoundland’s late, great fiddle masters, Rufus Guinchard and Emile Benoit. Kelly has collected and transcribed into notation over 500 fiddle tunes unique to Newfoundland.

As well as furthering Newfoundland traditional music, Kelly has also been active in preserving another important Newfoundland tradition - the art of storytelling and recitation, as inspired by his late father, Ted Russell (creator of The Chronicles of Uncle Mose - Tales from Pigeon Inlet).

With wife and partner Tonya Kearley, Kelly runs music and dance events in Trinity. With the expert guidance of Tonya calling the dances, participants quickly and easily learn the basic moves for Newfoundland Set Dancing. She also plays bass guitar in the group. Kelly & Tonya's daughters are talented and seasoned performers in their own right. Both sing, Naomi plays fiddle and guitar, Tamsyn accordion and piano.

Encompassing many facets of Newfoundland's cultural heritage, having Russells in the Corner at Summerfolk will showcase time honoured traditions passed down through generations of Newfoundlanders and onto the next.


The Dardanelles

With a love of Newfoundland music and an energy found more often in punk rock bands than in 5-piece folk acts, The Dardanelles have become one of the hottest acts to come out of the province in years. They pack clubs in their native St. John's and their debut self-titled CD became one of the top 3 sellers on the 'Rock'.

The band members, all in their twenties, firmly believe Newfoundland traditional music doesn’t have to be limited to either loud, boisterous bar scenes or the solemn concert audience. Instead, the folk dance band draws from traditional Newfoundland jigs and reels, and reinvents them to make music that speaks to their own generation.

Founding band member Tom Power, who hosts the CBC Radio 2 program Deep Roots, was asked about the philosophy behind the band. "I think the whole goal is to make traditional music 'cooler'. It’s really wicked, fun, dance music. Traditional music and folk music in general are becoming more accessible - I notice in St. John’s, trios of guitars and banjos and mandolins starting to play around. I don’t think that would have happened a few years ago. It’s nice to see."

Last summer, The Dardanelles played the Mariposa Folk Festival - their first gig off the island. "We got a really good reception, which gave us even more confidence to do what we do. When we went to Mariposa we were like, 'Let's see how this goes,' and we got a tremendous ovation. We got off stage and we said, 'We can't let this die. This is obviously something more powerful than the sum of our parts.'"

Nominated for a 2010 East Coast Music Award, the rest of the world is about to catch on to what Newfoundland has known for years - The Dardanelles will change the way you think about folk music.


Chuck & Albert

Chuck and Albert Arsenault are remarkable showmen in both of Canada’s official languages: French and English - and both of Canada’s un-official languages: comedy and music.

As members of the Acadian group Barachois, a mainstay on the folk/roots touring circuit for nearly a decade, they developed their distinctive musical talents and performed roughly 2000 shows. Performing as a duo since 2004, Chuck & Albert have adapted music from the Acadian repertoire picked up from local singers, fiddlers and historians. Then they added new material in keeping with the traditional style, building everything around their strengths.

As the duo’s bass player, Albert (say Albert in French) Arsenault comes by his talent naturally and continues the fiddling legacy of his father Eddy Arsenault. A talented singer, Albert’s vocal interpretations are one of a kind. His other musical roles are as a percussionist - that is to say an Acadian percussionist: spoons, guimbarde (jaw harp), knives and forks, saw and the rhythm bones.

Chuck Arsenault plays the acoustic guitar and vocals. Chuck’s vocal abilities are well suited to handling ballads and harmonies as well as anchoring acapella arrangements. Unlike Albert, Chuck grew up in Eastern PEI where his grandparent’s language and much of their Acadian heritage had been assimilated into the larger surrounding English speaking community.

Fluently bilingual, the two offer up clever banter in English or French by way of explaining the unique charm inherent to their performance. Laughter after all 'is the best medicine'. As a natural extension of their Acadian background, Chuck & Albert skillfully and tastefully carry their penchant for humour to the concert stage with vibrant characters, stories, songs, physical comedy and one-of-a-kind dance choreographies.


Lennie Gallant

At last fall's Summerfolk Volunteer Appreciation party, I asked for suggestions of whom we should invite to perform at our 35th anniversary Festival. Lennie Gallant was hand's down, the most requested artist.

Not only is he a favourite of folk music fans, Lennie Gallant is recognized by his peers as one of Canada’s best performing songwriters. He has released nine albums (seven in English and two in French) which have won him a host of awards and nominations from both the JUNO and East Coast Music Awards.

Over 30 artists have recorded his songs, including Jimmy Buffett, who invited Gallant to perform it onstage with him. His songs have also appeared in feature films, television series, and in numerous theatrical productions.

As a performer, Gallant’s intense delivery reaches down to touch the very souls of his audience. "Like many Canadian songwriters, my music crosses boundaries and encompasses my musical history which includes folk, rock, Celtic and a touch of Cajun and country." says Lennie of his music.

He was inducted into the Order of Canada where it was said, “Gallant has garnered much respect for his hard hitting songs chronicling the lives of people dealing with tremendous adversity and serious issues. Songs like Peter’s Dream, Island Clay, Man of Steel and The Hope for Next Year, articulate the feelings of many caught up in desperate situations beyond their control, and at the same time celebrate the beauty of lifestyle and landscape with their strong poetry and stirring narratives."

Born in Rustico, PEI, he received his first guitar for Christmas when he was 13. He has come a long way since then. He has just released two new albums, one in English If We Had A Fire and one in French Le coeur hante.

The Youthful Spirit of Summerfolk

This past Sunday, the Summerfolk TuneUp concert at Owen Sound's Kelso Beach Park featured 10 of the finalists from the Georgian Bay Folk Society's youth Discoveries Showcases.

Once again I was reminded of how truly talented all of the acts were and how difficult a task it must have been for the judges to select just four for an appearance at this year's Summerfolk Music & Crafts Festival. These 'kids' come from places like Ripley, Barrie, Chesley and Port Elgin as well as Owen Sound. The camaraderie amongst them was clearly evident and it was fun.

Jon Farmer, selected through the same process to appear at last year's Summerfolk, was an excellent and enthusiastic MC. He helped coordinate the 3 song jam at the end of the concert that brought everyone together in the Summerfolk spirit.

Representing this group at the Friday night Summerfolk Discoveries Concert in about two months time will be Jackie Rose Brown and Carrie Davenport who appear as Davenport Brown; brother and sister team Anne & David Beverly-Foster; along with soloists Jill Jambor and Ben Turcotte.

While not young enough to qualify in the 21 and under category, there are two groups in this year's lineup that are youthful enough (in their 20's) to attest to the boundless energy and fearlessness associated with musicians in the early part of their career.


Blue Moose & the Unbuttoned Zippers

The four members of Boston-based Blue Moose and the Unbuttoned Zippers met while studying at the Berklee College of Music. Mixing old-time Appalachian tunes and songs with Celtic and Scandinavian sounds, the band has its finger on the pulse of the new generation of folkies.

Guitarist Stash Wyslouch was asked about the band name which is an obvious place to start any talk of Blue Moose and the Unbuttoned Zippers. "The 'Moose' part comes from a general appreciation of titanic creatures." My guess is that every large creature needs a colour too - the Purple People Eater as another example.

Stash went on, "The 'Unbuttoned Zippers' part is definitely the duality-of-man idea - you can't unbutton a zipper and you can't unzipper a button." Okay I guess that's true but the name is still a mouthful. To their fans, like those who heard them two years ago at the New York State's Falcon Ridge Festival and voted them the band to bring back in 2009, 'BMUZ' covers the moniker end of things. It is all about the music after all and this band has the chops and inventiveness to make great music.

Each member of the Blue Moose crew comes from strikingly different backgrounds. Wyslouch was influenced by hip-hop and funk. Brownyn Bird plays accordion and nyckelharpa, the traditional stringed instrument of Sweden, where she lived and studied for a year. Fiddler Andy Reiner played for years with his father in the Reiner Family Band and loves the jigs and reels of Cape Breton. Mariel Vandersteel having studied the traditional music of Ireland and Norway, plays the Norwegian Hardanger fiddle.

Attending the prestigious Berklee College of Music expanded the horizons for each of them. One fateful day, all four were in the same room for an informal jam session and found chemistry together. What might seem to be a challenge turned out to be a blessing according to Reiner. "Since we have three fiddle-based instruments, we can't all just play the tune. We're forced by our instrumentation to become creative and come up with unique arrangements. Nobody plays lead for a whole song - it's always changing up."

One thing that helps to set the band apart is Brownyn Bird's 16 string nyckelharpa which is bowed like a fiddle but has keys like a hurdy-gurdy. "We were exposed to many musical styles at Berklee and it feels right for us to be doing this" she says of BMUZ's contemporary, no boundaries approach to performing. "We still try to respect traditional music but also love to do new things. That's how, I think, tradition evolves."

A Blue Moose set inspires lots of toe-tapping so it's natural that the foursome gets booked for contradances around New England. It is different than a concert, with lots of repetition as the dancers learn the steps, but band members love to see folks on their feet.

"Musically speaking, we basically play the same tune over and over again. I love rhythm and for me, it's just getting more and more inside the tune; more of a Zen thing." says Stash.

Bird agreed. "Folk music and traditional music is meant for dancing; it's meant to be enjoyed."


The Human Statues

The Human Statues is actually the name for two acts with the same two people - a musical duo that’s known for tight vocal harmonies and playful onstage antics; and motionless 'human statue' performances.

Zachary Stevenson and Jeff Byant used The Human Statues name for their act as buskers, when they would stand stock-still, slathered in metallic face paint, for hours on end. "One of the first things I did after graduating university to make a living between theatre gigs, was to perform as a human statue that I dubbed Discoman" said Stevenson. "Jeff did the same."

When Zach and Jeff perform as the musical Human Statues, they are frequently compared to other duos like Flight of the Conchords because of the fun elements of their show, and to Simon and Garfunkel because of the close-knit, two voice harmony that defines their sound.

Armed with two guitars and their voices, The Human Statues perform what are essentially catchy pop songs - well-crafted and entertaining. They leap and bounce around the stage and often choreograph their moves - but there is no pretension. The joy translates immediately as they incorporate comedic and theatrical aspects into their show.

Their lofty mission is to 'spread jubilation across the nation'. They have honed diverse skill sets through professional experience as actors, filmmakers, producers, writers, teachers, managers, bookers, buskers, circus performers, and of course, musicians.

“The theme word for us is jubilation” says Zach Stevenson. “Our music generally reflects a positive attitude and is fun. We write songs that initially hook you with a sense of amusement but upon further scrutiny you’ll find deeper ground, honesty and personality.”
The duo formed in Victoria when they mastered the harmonies in Simon and Garfunkel’s Cecilia. “We really connected over that music” said Stevenson. “Then we started jamming Beatles songs and found we have the ability to harmonize effortlessly together. That was the core of our interest."

Originally from the west coast, they are now both based in Toronto. Zachary Stevenson was raised in Parksvillle, British Columbia. He has been featured in theatrical productions across the country and has enjoyed success as a solo singer/songwriter and music producer. Jeff Bryant grew up in Victoria and has written and produced short films and stage productions.

Currently they are back in B. C. performing in a production of Buddy: The Buddy Holly Story. Zach is playing the lead role of Buddy Holly and Jeff plays The Crickets’ lead guitarist Tommy. The show runs at the Arts Club Theatre in Vancouver until July 11th. Come August, they will be a part of the exciting Summerfolk lineup.

Summerfolk - It's music...and a lot more!

The fabulous music you can hear at Summerfolk receives lots of attention. However many other components make Summerfolk the special event that it is.

Firstly, it is after all, The Summerfolk Music & Crafts Festival and crafts have always played a major role at the Festival. The Artisan Village is outstanding. On Saturday there is a juried show of works created by the Summerfolk artisans and Craft Demonstration on Sunday.

Then there's the wonderful food available on site plus opportunities for all to get involved playing music or joining in the folk and multi-cultural dance sessions. For kids and families there's The Children's Village. Young and old enjoy the Summerfolk experience!

Below is more detail on these Summerfolk features.


The Artisan Village

Summerfolk's Artisan Village is a showcase of one-of-a-kind, hand-crafted work. It is the perfect spot to find a unique gift or something special for yourself.

A total of 42 vendors were chosen from nearly 100 applicants to be included in this year's Festival. The standard is high. Festival artisans sell only their own hand-crafted products. The selection process for these artisans is based on the quality of their work and a willingness to demonstrate and discuss their craft with festival goers.

During Summerfolk, tents and booths adorned with a wide array of gorgeous handmade products line the pathways at Kelso Beach Park. The artistry represented takes many forms - glasswork, jewellery, textiles, paper, instruments, wood, pottery and metal. Vendors are happy to show off their latest creations. The open-air market is a vibrant display of fine professional craft work.

Information on all the 2010 artisans can be viewed on the Summerfolk website.


The Food Village

Enjoy food from around the world and close to home all imaginatively presented in the Food Village. Sixteen different food vendors offer delicious choices such as Indian curries, pulled pork, fine local meat products, pizza, hamburgers, Chinese, Caribbean, steamed corn and potatoes.... and then specialty coffees, lemonade, yogurt, brownies, sundaes and ice cream to finish off.

Also included this year will be Food Preparation Demos with local chefs using local foods presented in cooperation with The Grey Bruce Agricultural and Culinary Association.


Summerfolk Kids Just Wantta Have Fun!

Summerfolk is a wonderful place to bring the family. The Children's Village, with its hands-on craft projects, games, playground equipment and terrific musical line-up is a place where kids will be inspired and totally entertained.

When children arrive at Summerfolk, they are assigned a number on their wristband so they, or their parents, can be identified that way instead of by name. Safety and security issues are always considered when planning the Festival. Many parents have commented that Summerfolk was the very first place they felt comfortable enough to allow their kids to be 'on their own'.

All of the activities in the Children's Village are contained within a fence and the area is well supervised. Tents provide protection from the elements, washrooms are available and the friendly crew of volunteers make sure the kids have lots to do.


Open Stage

Want to play your music at Summerfolk? Then signing up for the Open Stage is something to consider.

Open Stage slots at Summerfolk take place on the Homemade Jam Stage, Saturday and Sunday. Each spot is shared by 2 or 3 performers. You can reserve an 'Advance Sign-up' spot by contacting the Georgian Bay Folk Society office (a limited number are available) or you can sign-up on-site. 'Festival' registration for patrons and volunteers is on a first-come, first-served basis. Drop by and sign-up with the Homemade Jam crew.

One performer from the weekend's Open Stage will be booked for the performer lineup of the 2011 Summerfolk!


The Sharing Circle

Everyone is invited to bring musical instruments, songs and stories to actively join in the sessions at Summerfolk's Sharing Circle. Those wishing to leave instruments on site can store them safely at 'Stash Yer Stuff' located next to the Sharing Circle tent.


First Nations Village

Visit the teepee and learn more about First Nations cultural traditions from hosts John Somosi and Kathryn Edgecombe. Special guest Virginia Barter will also be on hand to help celebrate the 'Year of the Metis' - the 125th anniversary the Northwest Rebellion.


Fire Poi

Join Vita Twirlin' Diva and friends at the Summerfolk Circle around 11:00 pm on Saturday night to witness the wonders of Fire Poi.

Fire Poi employs two weights, either glow balls or kevlar fire wicks, on the ends of chains which are spun around the body in an expressive way to create beautiful patterns and visual effects. Poi originated from the Maori people of New Zealand and has since evolved around the world as performance art.


JumbleJam

Jam with the pros, create an original piece of music and perform it on stage at Summerfolk - all on the same day! If you sing or play an instrument and you can spare a few hours on Saturday, apply for the JumbleJam workshop.

JumbleJam workshops are about creating songs through a unique songbuilding process. The guided approach makes it possible for anyone to participate in the creation of a song, regardless of musical background.

Facilitators Ken Dow and Martin Cooper will 'curate' 15 volunteer players into three bands, each anchored by a Summerfolk performer. The bands create an original song and perform it on the Down by the Bay stage on Saturday evening. Sign-up sheets are available at the Information Booth inside Summerfolk's Main Gate.

Todd Crowley's Musical Petting Zoo


Todd's Petting Zoo was a huge hit at last year's Summerfolk and he's back! This is an opportunity to get up close and personal with more than 100 acoustic instruments covering the musical alphabet from accordion to zampoya.

Fully interactive and hands-on, this is your chance to explore the workings of the instruments and to actually play them. Along with the Musical Petting Zoo, Todd also provides an instrument play station for the Children's Village.

Red Horse - Three Gifted Songwriters Together

This year's Summerfolk offers a rare opportunity to see the emergence of a new trio that combines the talents of three truly gifted American songwriters. Eliza Gilkyson, John Gorka and Lucy Kaplansky have teamed up to form Red Horse and their appearance at the Festival is one I am eagerly anticipating.

John Gorka I've always loved. A gentlemanly figure with a calm demeanor, yet capable of delivering some of the most powerful songs ever performed at Summerfolk. Eliza Gilkyson whom I first saw showcasing at a music conference where she captured the entire room, creating an environment from which no one wanted to leave. Lucy Kaplansky whose work with the group Cry Cry Cry I have long admired.

Friends for many years, these three crossed paths on many occasions and have sung on each others' recordings. I am sure it was one of those crazy ideas musicians seem to have - "let's start a band".

“We’ll be doing a number of songs with each of us as the main singer" said Gorka of the collaboration. "I think Eliza was the one who probably suggested we do this."

"For the album, we each take the lead on 4 songs. I will sing a Lucy song, an Eliza song, the Stewart MacGregor song Coshieville plus a new one of mine. Lucy and Eliza will each be doing one of mine along with one of each other's songs and a song from outside of the group."

Lucy Kaplansky was asked how Red Horse differed from the Cry Cry Cry trio. "Well, it's a little bit different - it's a mix of originals and covers. Cry Cry Cry was virtually all other people's songs, and this one is more a mix of originals with each of us doing each other's songs, which I've never heard of anyone doing before."

The CD is in the works and will be released this summer. The artwork all ready to go - Texas singer/songwriter Tom Russell painted the cover picture.

Individually, each of these performers has achieved a high level of success and admiration in folk music circles. To see and hear them in action together as Red Horse will be an absolute delight.


Eliza Gilkyson

When you listen to Eliza Gilkyson, you are presented with a woman who is unafraid to lay her emotions on the table. Her lyrics are stories of love and loss, of political angst and a genuine concern for the planet. However the songs are not set in a plaintive, complaining tone. They are delivered with confidence and honesty, set in exquisite melodies that stay with you.

Gilkyson has become one of the most respected songwriters in roots, folk and Americana music. She has been inducted into the Austin Music Hall of Fame and recognized with 4 Folk Alliance Music Awards. Her 2004 release Land of Milk and Honey was nominated for a Grammy in the Best Contemporary Folk Album category.

Growing up in Los Angeles, Gilkyson first recorded demos and soundtracks produced by her father, songwriter Terry Gilkyson. He penned several hits in the 1950s and early 1960s including Green Fields, Marianne and The Bare Necessities. His song Memories Are Made of This was recorded by both Johnny Cash and Dean Martin.

But Eliza had to leave California to define her own path. She spent time in New Mexico and Europe before moving to Austin, which she has called home for more than two decades. She built a respectable fan base along the way and her career hit full stride in 2000 with the release of Hard Times in Babylon.

Gilkyson's Paradise Hotel CD is one of my personal favourite recordings. If you don't own a copy, consider it one for your collection...and it's not just me who likes it. The album received rave reviews from around the world.

Over the course of 15 albums, Eliza Gilkyson has built a reputation as one of the most original and influential folk artists of our time. The job of folksingers, she has said, "is to take a simple thing and elaborate on it until it becomes a jewel."


John Gorka

One of the oldest and most venerable music institutions in eastern Pennsylvania, 'Godfrey Daniels' is a small neighborhood coffeehouse and listening room. It has long been a hangout for music lovers and aspiring musicians. In the late 1970s, one of these was a young college student named John Gorka.

Though his academic course work lay in Philosophy and History, music began to offer enticements. Soon he found himself living in the club’s basement and acting as resident M.C. and soundman; encountering legendary folk troubadours like Stan Rogers, Eric Andersen, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him, and before long he was writing and performing his own songs.

Soon he started traveling to New York City, where the legendary Fast Folk circle became a powerful source of education and encouragement. Folk meccas like Texas’ Kerrville Folk Festival, where he won the New Folk Award in 1984, and Boston followed. His soulful baritone voice and emerging songwriting began turning heads. Those who had at one time inspired him - Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine Lavin, Shawn Colvin - had become his peers.

His songwriting gained increasing attention from critics and audiences across North America, as well as in Europe. Rolling Stone magazine called him “the preeminent male singer/songwriter of the new folk movement”.

John Gorka's albums and touring (over 150 nights a year at times) continue to bring new accolades for his craft. His keen ear picks up the stories of those along his path, folding them into poetry and song. Few contemporary songwriters coax language as deftly as he.

With his low tenor voice, elegant melodies and restrained instrumental accompaniment, John Gorka's sound could be considered 'easy listening' music. Indeed, with a casual first time listen, his music can easily be dismissed as just that and nothing more (and I am not suggesting that there is anything wrong with that style of music). However upon more attentive listening, a major strength in Gorka's work is revealed. That strength lies in the lyrics. Low on clichés and high on originality, he artfully constructs songs that are beautifully well-crafted.


Lucy Kaplansky

It’s always nice to have options as a struggling musician, and Lucy Kaplansky has one of the best side gigs imaginable: She’s a clinical psychologist. Amazingly, the New York-based folk singer/songwriter has managed to balance and prioritize both disciplines across long careers in both fields.

Kaplansky’s journey began in 1978, when the Chicago native chose to skip college and then carved out a niche for herself in the Greenwich Village folk scene, where she met and worked with budding stars like Shawn Colvin, Suzanne Vega and Richard Shindell. But after five years, Kaplansky decided to pursue a psychology degree, although she maintained her music career while working toward her Ph.D. A 'big fork in the road' appeared when labels expressed interest in her duo work with Colvin. Kaplansky chose to follow her other career and opened a private practice, while Colvin got signed and made a fairly big splash in the mainstream.

Kaplansky focused on her psychology practice but eventually the allure of music proved too strong and she decided to return to her creative endeavors, recording her debut The Tide in 1994 assisted by Colvin, who produced the album. The CD garnered critical acclaim and rose quickly up the new Americana radio chart. Kaplansky found herself in high demand for touring and something had to give - it was the psychology career. She became a full-time musician and has never looked back.

In 1998 Kaplansky teamed with Dar Williams and Richard Shindell to form the folk supergroup Cry Cry Cry. Their album and subsequent tour, which was one of the highest grossing musical tours of the year, greatly enhanced the popularity of all three.

"There is no question that the Cry Cry Cry tour exposed me to a much larger audience." Kaplansky admits. "And the fact that it triggered new sales in our own records was a wonderful, added perk. The tour was really good for all of us, not just the artists whose songs we covered on the album."

Kaplansky’s voice continues to remain in high demand by her peers and her most recent release Over the Hills is a fine collection of songs. The album reflects on a new turn in her life. Motherhood has not hindered her musical life but enhanced it; deepening the emotional depth of her songwriting.

The International Musical Flavours of Summerfolk

In a lineup that boasts musicians from many Canadian provinces and top-rated folk performers from the U.S., this year's Summerfolk offers the opportunity to see three unique groups from other parts of the world.

Namgar

The music of the band Namgar is based on traditional Mongolian songs. Over a blend of ancient Asian string instruments and contemporary electric rock, this seven-piece group performs a unique repertoire dating back centuries.

Lead singer Namgar Ayushievna Lhasaranova, from whom the band's name is taken, brought these songs from her Buryat family background. The Buryat tribes historically were supporters of Genghis Khan and important commanders of the Mongol Invasion. They live in the far reaches of what is now the Russian Federation where Buddhism, Shamanism and the natural beauty of South Siberia have contributed to their culture.

Separated from each other politically since the XVII century, Buryats and Mongolians still share many common traditions but many genres, dance tunes and songs that have become extinct in parts of the Mongolian world are still performed on the Russian side. These songs and dances date back to the glorious times of the Mongolian Empire.

Drawing on this traditional repertoire, Namgar first appeared in Moscow in 2001 and their international debut came at the Riddu Riddu Festival in Norway the following year.

Soon after that, their inaugural CD, Hatar (round dance) was released on the Sketis Music label which was started by a group of enthusiastic young Muscovites who loved the sound of the band and wanted to specialize in world music. It boasts a first ever collection of Buryat songs.

In 2006, the arranger and producer Leonid Vorobyev joined the group and brought modern electronic, rock and jazz elements to the authentic sound of the group. He produced their most current CD, Nomad.

Looking like characters from the ancient legends of Asia on stage, the group delivers music that is exotic yet easily accessible. They perform with traditional instruments such as the chanza, a 3-stringed Mongol lute covered in snake skin, flutes and drums. Added to that are a drum kit, keyboards, electric bass and guitar to give it a 70s heavy rock feel. It is an unusual combination that will make your jaw drop.

Their visit promises a rare glimpse into a rich and mystical tradition; delivered in a most unique way.

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Baskery

Based out of Stockholm, Baskery is composed of three Swedish sisters - Greta, Stella and Sunniva Bondesson. They describe their music as "high voltage" and use expressions like "killbilly", "banjo punk" and "mud-country" rather than traditional ones.

This is an acoustic band that rocks! Think something along the lines of a jam between Johnny Cash, an acoustic blues Led Zeppelin and the harmony singing of the Andrew Sisters. Then take it up a notch.

The sound is driven by Greta's six string distorted slide banjo while she provides kick and snare beats from a customized drum kit. Stella adds solid slap upright bass playing to guitarist Sunniva’s emotive twangy vocals. Then there is something about sibling voices that is extra special. When the three of them click in on the harmony parts, it is amazing music.

Baskery is a natural progression for the Bondesson sisters from their former band Slaptones which featured their Dad on drums. All three write songs for the band and they perform totally in the English language.

Since the debut album Fall Among Thieves was released in Sweden in 2008, Baskery has successfully toured Ireland, USA, Sweden, France, Canada, Denmark and Norway. The band recorded that CD live-off-the-floor - getting the perfect take in the studio was essential to capturing the emotional essence of the songs.

Baskery is all about playing for real, creating energy and putting on an electrifying show.

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Artisan

The harmony singing U.K. trio Artisan decided to 'retire' as a group in 2005 but a request to play the 2010 Lunenburg Folk Festival tempted them into re-uniting for a reunion tour. The word got out and now their entire summer is fully booked including a stop at Summerfolk August 20, 21 and 22.

Gestated in 1984 and birthed in 1985 as a fun thing to do, Artisan kept getting invited to play more and more gigs until finally they left their day jobs and went full time. After that they toured relentlessly throughout the UK, Canada, the USA, Europe and Australia.

When they first appeared at Summerfolk in 1994, they quickly became fan favourites and subsequently returned to the Festival several times. Artisan concerts are always lively affairs, known for their audience participation, antics and all-round fun.

During their recent hiatus from performing, Jacey Bedford has been operating a music booking agency in England - Jacey Bedford Tour Management. In fact, she was instrumental in making many of the U.K. bookings for Tanglefoot when they toured there. Her partner Brian Bedford has busied himself running a small record label and publishing company Bedspring Music with an in-house state-of-the-art recording studio. Hilary Spencer has been performing duo gigs with Grant Baynham as Quicksilver.

Their repertoire is a mixture of traditional and contemporary songs, including many penned by Brian, all performed a cappella and in close three-part harmony. Their trademark sound was developed with Hilary singing strong lead in the lower range of her three and a half octave voice, Jacey's softer vocal providing a lighter and usually higher harmony combined with Brian's top end of his bass-baritone. The end result is Hilary and Brian singing fairly close together in range, 'glued' together by Jacey's voice.

The group has been rehearsing old songs and working on new ones for a return to the stage together. A CD is being released in July to accompany the tour. Welcome back to Summerfolk - Hilary Spencer, Jacey Bedford and Brian Bedford.
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All three of these groups are scheduled for Summerfolk's amphitheatre stage on Friday night, August 20th. Along with Francophone chanteuse Caracol, Mose Scarlett, Sheesham & Lotus, Newfoundland's The Dardanelles and songwriter Danny Michel, Friday night promises to be an adventuresome musical start to the Festival.

Jack Williams

Let's take a look at what's in store lineup-wise for the upcoming Summerfolk Music & Crafts Festival. I'd like to begin with one of the first acts I booked for our 35th annual Festival.

In the fall of 2009, I received a note from Ezra Idlet of Trout Fishing in America. Trout Fishing performed at Summerfolk last August and Ezra (the tall one), along with partner Keith Grimwood, make up the popular duo that is one of our long-time favourites at Summerfolk.

"I'm writing because I'd love to send you a cd of a friend of mine. I have no connection to him professionally, I just think he'd be a great addition to Summerfolk" said Erza's email.

"I don't know if you've ever heard of Jack Williams. Jack lives in Arkansas these days somewhere between Keith and I. I think he's one of the most amazing songwriters, singers, and musicians I've ever met. I think he'd add to any workshop you put him in from songwriting to instrumental. His solo work is just wonderful. Anyway, if I can send you a copy of his cd I'd sure like to".

I answered back to the affirmative and sure enough, Ezra sent me a copy of Laughing in the Face of the Blues. It didn't take long to realize that Jack Williams would be a perfect artist for Summerfolk. Exceptional guitar work, fabulous songs and heartfelt vocals; all delivered with confidence, sincerity and character.

When I started looking into his history, Jack's career has been eclectic. He played trumpet in a jazz quartet at a Seattle beatnik coffeehouse in 1959 - reading poetry to the audience during breaks. He learned banjo and mandolin to spice up folk groups in the 60's in Georgia. He played pedal-steel guitar in a country-rock band and classical guitar in a Renaissance ensemble.

"I was raised listening to everything from the Dorsey Brothers and pop tunes of the mid-40s to Brahms, Mozart and Chopin. I was fortunate to have grown up with none of the pressures of today’s corporate music-biz to lead me down a narrow path. I played folk songs on the ukelele from the time I was four, pop and classical piano from age six and jazz on the trumpet from age nine. Then I discovered the guitar at age fifteen. I would play more styles than just the rock & roll but discovered that could earn money - and eventually a living."

From 1958 through 1987, Jack was best-known as an electric guitarist working shows with John Lee Hooker, Big Joe Turner, Jerry Butler, Z.Z. Hill, Hank Ballard and many others. During that era, his bands also backed up artists such as the Shirelles, the Del-Vikings, the Coasters, the Drifters, and the Platters.

His skill with instrumental composition won him a national arts grant in 1967. That led to gigs accompanying legendary singer/songwriters like Mickey Newbury, Harry Nilsson, Tom Paxton, Peter Yarrow and Steve Gillette.

After many years of travelling with rock bands, jazz combos and accompanying other performers - playing anywhere he could get paid to play music, Williams took on a solo career in folk music.

Jack is now a much sought-after artist on contemporary folk music stages. From his acclaimed appearances at the Newport, Boston, Philadelphia, Kerrville and Fox Valley folk festivals; his musicianship has established him as an inspiring and influential performer.

Williams is considered a 'musician's musician' - outstanding among a handful of artists who in skill, depth and integrity stand head and shoulders above the rest. He is noted among acoustic guitarists as one of the best. By adding a pinch of self-deprecating humor, he is instantly endearing. Having avoided the compromises of the commercial music industry during his 50+ year career, he has preferred touring 'under the radar' for the sheer love of music and performing.

Before beginning to write in 1970, Jack was inspired by the varied likes of Jesse Winchester, Josh White, Hank Williams, The Band, Procal Harum, Tom Waits, Bob Dylan, Johnny Mercer, and Ray Charles. When the spirit moves him today, songs from favourite writers spring readily from his lips and fingers.

“Every time I made another album of original tunes I knew I would pay homage to the artists, writers and styles that were the origins of my own music” Williams says. “Over many years, I imagined the songs which would be included, songs which had a profound impact on how I would write and perform my own music. I knew it was coming and I planned it for a long time."

Williams, who has written more than 500 songs, says it’s the emotion of a song that works for him. “I want to go somewhere when I hear music. Whether it’s Brahms, Miles Davis. John Lee Hooker or Johnny Mercer or Hoagie Carmichael ...I want to be taken somewhere and I want to feel something.”

A featured artist on many recording studio projects, Williams has produced all of his own recordings plus CDs by Mickey Newbury, Ronny Cox, Eric Schwartz, Carla Ulbrich, Jonell Mosser and The Malvinas. There isn’t a note on a Jack Williams CD that isn’t 'well crafted' in every sense of the word - emotional, musical, inspirational.

Jack Williams possesses a half-century of accumulated musical knowledge and incorporates the best of all he has learned to make music of the highest calibre.

Thanks for the tip Ezra.

Summerfolk TuneUp - Sunday, June 13th - 1:00 pm

Summerfolk TuneUp will feature young performers in concert at Owen Sound's Kelso Beach Park on Sunday, June 13th. Presented by the Georgian Bay Folk Society, the concert will have appearances by all 12 finalists from the Folk Society's Discoveries Showcase events.

"Four of these acts were selected to play Summerfolk in August," says Folk Society artistic director Richard Knechtel "but all were extremely good and we felt they all deserved an opportunity to be a part of Summerfolk TuneUp."

Jon Farmer, who himself performed at Summerfolk in 2009 through the Discoveries program, will be the host MC.

The four Summerfolk lineup additions include: Davenport Brown - the duo of Carrie Davenport and Jackie Rose Brown, two OSCVI students possessing lovely voices with warmth and charm; Jill Jambor from the Barrie area with her "sweet new-folk voice" and stellar songwriting; Anne and David Beverly-Foster from Chesley - David's strong guitar playing perfectly complements Anne's truly amazing voice; and Port Elgin's Ben Turcotte who does exceptional interpretations of songs old and new, and is also an excellent songwriter.

Summerfolk TuneUp will also have the five-piece Owen Sound suit-and-tie rock band The Headache Pandemic, 14-year-old highland bagpiper Emma Prescott, fiddler Sabrina Perry with her brother Zachary on guitar, show stopper 10-year-old Brontae Hunter, St. Mary's student Joe Cassidy, Oliphant songstress Taia Anderson, York University student Kaila LeMaitre and the quick-handed guitar stylings of Owen Sound's Josh Overbeek.

This year, the Georgian Bay Folk Society expanded their Discoveries youth talent search to include preliminary showcases in Owen Sound, Meaford and Paisley. From the more than 30 entrants, 12 acts were invited to perform again at the final Showcase and from that, the 4 acts were selected for The Summerfolk Music & Crafts Festival.

"The caliber of talent is very high. I know this area has always been a hotbed for great music but I am knocked out by the poise and professionalism that is exhibited across the board by these young performers" says Knechtel.

"The youth element is important to the Festival's future, and the Society has an obligation to both involve and encourage young musicians - give them a reason to play, a reason to practise and a goal."


Summerfolk TuneUp - Kelso Beach Park, Owen Sound. Sunday June 13th beginning at 1:00 pm. Free - donation only.
Photo credits - James Masters/The Sun Times

Summerfolk Discoveries Showcase 2010

Bill Henry, staff writer at the Owen Sound Sun Times, has written a couple of features on the Summerfolk Discoveries Showcases. Well worth checking out at:

www.suntimesoursound.wordpress.com

Photo of Anne & David Beverly-Foster by James Masters (The Sun Times)

Chuck Baker & Jon Farmer in Concert

The Monday Night Music Sessions at the Downtown Bookstore have been going just great. There's a nice vibe and positive energy - the closest thing you'll get to Summerfolk over the winter months.

There's a full description of the weekly sessions - Concert Connections link under Folk Society on this homepage.

Speaking of which, we've just added http://www.georgianbayfolk.org/ as a web address that will take you to this page. So summerfolk.org or georgianbayfolk.org, you're here.

February 1st, Chuck Baker and Jon Farmer perform for Concert Night.

Chuck comes from Stayner and created a sensation at Knox Acoustic Cafe when it was running. Jim Ansell, Owen Sound's biggest music fan, has been bugging me for years to bring Chuck back to town so I'm thrilled that he accepted the invitation to play the Bookstore. Chuck writes great tunes, plays a fine guitar.

Chuck Baker's unique sound actively dissolves the traditional boundaries between blues, rock, jazz and even funk. He splendidly fractures the iconic mold of folk, delivering a complex blend of keen riffs, exciting composition, erudite songwriting and an arrestingly percussive style of guitar that punctuates brilliantly. - Nancy Falconer On the Bay Magazine

Chuck Baker is like The Undesirables in one person. - Jennifer Metcalfe LU Radio Thunder Bay

Jon Farmer is a real Summerfolk fan. He's volunteered at the Festival for many years and was a youth performer at the 2009 show. His enthusiasm and good musical taste makes him one of personal favourites.

His Banana Bread song is a good one!

So come on out to the Downtown Bookstore on Monday, February 1st and catch two great performers. That's at 945 2nd Avenue East. Show starts at 7:30.

And check out any of the musical happenings, every Monday night until May long weekend.

Note From Chloe

Just received this email from Chloe Hall who played the 2009 Summerfolk Festival. Well worth sharing:

..........................

Hey Richard,

Can you believe it? We’re finally home, after almost 5 months on the road (across the rest of Canada, Ireland, Scotland, England, France, Germany and Prague), now finding our feet in sweltering Melbourne (it’s 35 degrees today!).

As I settle back into life here, I’ve been thinking back over what an adventure it’s been…

So this is a little note to say a HUGE thank you.
We absolutely loved being part of Summerfolk, and I hope you enjoyed having us.
I can honestly say that, for me, it was THE highlight of the 2½ months in Canada. Total stand out.

Turning the Travelodge into musicians head quarters is a stroke of genius. It was so exciting to meet and play with so many musicians – a rare chance to celebrate our nomadic community together. Also, we felt incredibly well looked after – the hotel, the catering, the instrument lock-up, the tirelessly helpful volunteers, the drivers… Throw in the inclusive vibe, listening audiences and gorgeous setting (and, you know, some half decent music too), and you can see why I’ve been raving about Summerfolk to everyone. We actually included Summerfolk in our weekly road movies, you can see it here. http://www.youtube.com/watch?v=zepUYHq_YL8

So congratulations. I hope you had a fantastic festival too, and that you’re well and happy, gearing up for the winter and another successful event next year.

Thanks again – I’ll look forward to our paths crossing again in the future,

Chloe
PS LOVED mixed-up bands! So much fun, and a great chance to get to know some wonderful musicians. Just brilliant.

The 1st Monday Night Music Session

The inaugural Songwriters Circle was a real treat. Anchored by guest songwriter Larry Jensen and hosts Beth Hamilton & Connie Rossitter of Beckon, we not only learned more about the craft of songwriting but had a great time doing it!
An iconic Owen Sound musician, Larry shared his experiences and expertise of putting music and words together in song.
We then had the opportunity of hearing works-in-progress from others in attendance. Some songs were well-polished, others needed work. That's what it's all about - getting feedback on how to do it better in an atmosphere that allows that to happen. To pick up tips on improving one's songwriting.
Next Songwriters Circle is slated for Monday, December 14th at the Downtown Bookstore. Yours truly will be the guest songwriter - looking forward to it.

Coco Love Show was Great!

Coco Love Alcorn graced the stage at Knox United Church with a mesmerizing show that totally engaged the full house in attendance.
"Coco is an incredible singer. One of the best technical vocalists I can remember seeing." said Jim Ansell of her performance.
Thanks go out to all the volunteers who helped make it happen. Special nod to Steve Ritchie for providing the sound system and Ruth Parsons chair of the GBFS Connections Committee.
Next concert at Knox will be the amazing Jacob Moon on November 20th.

Award for Website

Today, the Summerfolk website - summerfolk.org, received an award for 'Best Marketing - Web' at the Grey-Bruce Regional Tourism Conference.
Quite an honour!
Thanks go to our web guy Paul Murphy for all his ideas and ways he makes the site look good and Ryan Wiseman for his excellent video contributions.
Both these gentlemen are a pleasure to work with and we look forward to keeping Summerfolk and 'off-season' programming information coming here to summerfolk.org.

Summerfolk Reprise Concerts

The Georgian Bay Folk Society proudly presents two hit acts from the 2009 Summerfolk Music & Crafts Festival - Coco Love Alcorn and Jacob Moon.

Alcorn on Friday, October 30th and Moon, Friday November 30th. Both concerts take place at Knox United Church, 890 Fourth Avenue East in Owen Sound. Doors open at 7:30 pm with shows at 8:00.

Nova Scotia born Alcorn has numerous career highlights: touring and recording regularly with Canadian icons 54-40; joining Ani Difranco on a US tour; performing at Lilith Fair; and guesting on nearly 50 albums including recordings by Burton Cummings, Chantal Kreviazuk, Jesse Cook, Kinnie Starr and Loudon Wainwright III.

As a songwriter & vocalist, she embraces her diverse musical influences - jazz, pop, R&B and folk, and weaves them seamlessly into her own distinctive sound. We loved her at Summerfolk. Simply put - we want more!

Make it a night out enjoying a meal at Jazzmyn's or Rocky Raccoon's prior to the show. Check out the 'Coco Love Specials'. After the show, join in the 'Meet & Greet with Coco Love' at Rocky Raccoon's or catch the sounds of Will Ross at Jazzmyn's.

Jacob Moon's passionate vocals and inspired lyrics are given flight by Moon's total command of the guitar. Along with his stunning Summerfolk performances, Jacob won over a sold-out house at the Massie Hall.

For tickets or additional information on these concerts, contact the Folk Society office at 519-371-2995 or email gbfs@bmts.com.

Sunday at Summerfolk

Sunday at Summerfolk

A wonderful way to start your morning! The 'Summerfolk Sunday Morning' concert celebrates the day with song. Hosted by Susan Werner, the 10:30 am show features the African acapella group Soul Influence, the uplifting talents of Jacob Moon, harmonies of The ChoirGirlz plus Vance Gilbert and Suzi Vinnick.

At noon the musical action swings over to workshop stages.

~ On Sunday there are 5 workshops on the Gazebo Stage beginning with a fiddle workshop. Then 'Portuguese' at 1:00 with Tony Gouveia and The Aline Morales Band. Following these great acts, check out 'Fishin' For Love' that includes Trout Fishing in America and Coco Love Alcorn. Next Valdy, Ian Tamblyn, Paul Mills and Cedric Smith perform in 'Coffeehouse Reunion' and 'Vocal Harmonies' at 4:00 wraps up the schedule.

~ Starting things off at Homemade Jam, 'Guitar Pull' highlights some of the best guitar 'pickers' at the Festival. For those who love guitar, this is a must-see. There are Open Stage slots and 'Cultural Exchange II' at 2:00 features Scotland's Brian McNeill, Australia's Chloe Hall and the sounds of Africa with Soul Influence. With more Open Stage slots after that, there are ample opportunities for everyone to play their music at Summerfolk.

~ At the Down By the Bay tent there is a great mix on Sunday - Celtic music at noon, pop songs from England in 'The British Invasion' followed by 'Bluegrass'. Then the wildly-popular 'Mixed-Up Bands' session which is a sight to behold. Performer names are drawn at random and five piece bands are assembled for a one-time only performance at Summerfolk.

~ Two contra dances are planned for Over the Hill - noon and 3:30. 'Mardi Gras' at 1:00 will feature the Cajun and zydeco sounds of Swamperella. 'Dance at the Pavilion' at 2:00 will be your special chance to dance to the Big Band music of The Lighthouse Swing Band - a Summerfolk first!

~ A highlighted performance at The Children's Village will be 'Valdy for Kids'. More smiles await with shows from Benoit Bourque, Bill Russell, Evalyn Parry, Coco Love Alcorn and Mike Stevens. In addition to the music, the hands-on craft activities will ensure children have lots to do at Summerfolk.

~ Summerfolk Choir members return to Under the Willows to prepare for their evening amphitheatre concert. This location is also the home for two workshops on Sunday afternoon - 'A Way with Words' and 'Historically Speaking'

~ Kristan Anderson and his poetry team bring their talents to The Sharing Circle in the afternoon. There will also be a vocal workshop, the annual 'Summerfolk Drum Circle' and an 'Old Tyme Music Jam'. All are invited to participate in these sessions.

Along with the musical fun at the workshops, there is much more to do in the afternoon. Attend the information session on organic food with Ann Finlay-Stewart and Hoots & Hellmouth in the Food Village. The First Nations Villlage features sash making, drumming, Metis fiddling and bannock making.

At the Crafts Demonstration tent you can view the work of stained glass artist Mallori McArthur and learn techniques of the craft.

The Cafe Concert at 5:00 pm is the first of the evening concerts. It will feature the music of Ragleela with a sound that comes from the East Indian music tradition. This quintet features sitar, tabla, percussion, guitar and violin.

The 6:30 set at Down By the Bay is a comedy feast. 'The Last Laugh' will showcase the wit of The Austin Lounge Lizards, Trout Fishing in America and Wendell Ferguson at their side-splitting best.

The Sunday night Amphitheatre Concerts begin at 6:00 with a performance by The Summerfolk Choir. After their weekend rehearsals, the Choir will be ready to take to the stage. Joined by guest performers, the Choir concert at Summerfolk is always a heart-warming moment.

Next up is Australia's Chloe Hall Trio. Following is Owen Sound's own Al Walker with his group Suitcase Walker. The artistry of Evalyn Parry and the musical magic of Vance Gilbert will compliment the terrific Sunday night lineup.

Betty & the Bobs are a seven piece group that oozes talent. Made up of familiar names in folk music, this all-star band is a celebration of song and instrumental prowess - Katherine Wheatley, Wendell Ferguson, Suzi Vinnick, Rich Greenspoon, David Matheson, Soozi Schlanger and David Woodhead.

Tanglefoot's farewell performance on the amphitheatre stage will be a concert to remember. The group has won the hearts of music fans around the world.

Leading up to the Finale, we will have the opportunity to hear songs of Stan Rogers performed by artists who have been inspired by his work. Stan died 1983 in an airplane fire while returning from the Kerrville Folk Festival in Texas. Hearing his work again will remind us of what a great writer he was. Poor Angus, Ariel Rogers, Dan McKinnon and Tanglefoot will each play one of his songs before we get to our tradiional Summerfolk closing - the singing of Stan's "Mary Ellen Carter".

Summerfolk weekend is here! I hope you will join family and friends for the 34th annual Summerfolk Music & Crafts Festival.

Saturday at Summerfolk

Saturday at Summerfolk

On Saturday, August 15th, the Summerfolk gates open at 10:30 am. The musical adventures begin with on the workshop stages at 11:00 and here are some of the highlights.

The GAZEBO STAGE has six workshops on Saturday. 'Images of Women' includes Peggy Seeger, Susan Werner, Darcie Deaville and Evalyn Parry. 'Home & Away' features the music of Bill Bourne, Jacob Moon, James Keelaghan and Vance Gilbert.

HOMEMADE JAM has a couple of 'how-to' workshops to start things off. The first - 'Banjos!' explores, you guessed it, banjo techniques. The second, hosted by Mike Stevens, is 'Something to Harp About' featuring harmonica styles. For much of the day, Homemade Jam is home to the Open Stage where Festival patrons are encouraged to sign up to play their music at Summerfolk.

At 1:00 pm, 'Stories and Songs of Stan Rogers', a tribute to Stan hosted by Paul Mills, is one of the exciting workshops planned for DOWN BY THE BAY. The afternoon sessions conclude with the 'Summerfolk Quiz'. Hosted by Dave Carr and yours truly, two teams of musicians are pitted against the audience in games of musical knowledge and fun.

The join-in dance sessions are featured at the OVER THE HILL...stage. You can participate in contra dancing, enjoy Brazilian drum beats and dance, learn dance steps for Cajun music, and kick up your heels at the 'Quebecois Kitchen Party'.

One of the highlights in the CHILDREN"S VILLAGE will be a performance by Trout Fishing in America at 2:30 pm. The children's area has games, crafts and music, all geared to engage young and old alike.

UNDER THE WILLOWS is the rehearsal area for The Summerfolk Choir. Under the direction of Tom Leighton, audience members can share their joy of singing together. Under the Willows also has 3 workshop sessions between choir practices. 'Musical Portraits' at 2:30 showcases the talents of Erica Wheeler, Suzie Vinnick, Ian Tamblyn and Chloe Hall.

THE SHARING CIRCLE offers the opportunity for everyone to bring their instruments, stories and songs to join-in. Saturday's schedule includes drumming, poetry, fiddle and song sessions plus a bluegrass jam.

Audience members can also participate in JUMBLEJAM. This is a chance to play with the pros, create an original piece of music and perform on stage at Summerfolk. If you sing or play an instrument apply for Saturday's JumbleJam workshop - you might just end up in a band with Katherine Wheatley, Coco Love Alcorn or Valdy.

Another interesting workshop will be FIRE POI in the Summerfolk Circle at 5:00 pm. At 11:00 you can see 'Fire Poi' at night - a unique experience!

Make sure to drop by the CRAFTS DEMONSTRATION tent during the afternoon to view the best work of exhibitors from The Artisan Village. These artists are invited to submit two of their pieces to be included in the Exhibition. Please cast your vote for the People's Choice Award.

The CAFE CONCERT at 5:00 pm features The McFlies. This band plays pop favourites from the 1980s with acoustic instruments. You won't hear anything like it except at Summerfolk!

So that's an overview of the daytime activities... now on to the AMPHITHEATRE CONCERTS for the evening. Starting at 6:00, here is the exciting Saturday night lineup.

Ragleela - featuring the sounds of East Indian Music
Peggy Seeger - famed traditional performer
Ian Tamblyn - songs from an adventurer musician
Tony Gouveia - fado songs of Portugal
Susan Werner - one of North America's finest songwriters
Bop Ensemble - with Bill Bourne, Wyckham Porteous and Jasmine Olhauser
The Austin Lounge Lizards - comedy, bluegrass, western swing
James Keelaghan - the voice of Canadian folk music

Saturday night is also dance time at Summerfolk! OVER THE HILL.... features an 'Evening Country Dance' at 7:30 followed by 'Cajun Dance Party' to the sounds of Swamperella at 9:00.

If you head on over to the DOWN BY THE BAY tent, here is what you will find. Things start off with the 'JumbleJam' bands at 7:00 followed by the music of David Celia. Then The Aline Morales Band bring their Brazilian rhythms to the stage and Trevor MacKenzie's band, Dirty Mack, will offer up a mix of rock and blues.

Next up is a performance by The McFlies. Then you won't want to miss Hoots and Hellmouth who wrap up the festivities at Down By the Bay. The amazing harmonica work of Mike Stevens will be featured during their intermission.

So Saturday at the Festival - a full slate of workshops during the day; two concert venues and a dance at night. It is amazing that all this music can happen in one place, in one day. But that's Summerfolk for you!

Friday at Summerfolk

At 4:30 pm on August 14th, the gates open for the 34th annual Summerfolk Music & Crafts Festival.
One of your first stops should be the Food Village. There you will find delicious treats from any one of the 18 food vendors - sandwiches, salads, pizza and hamburgers along with international fare - Indian curries, Caribbean jerk chicken and Chinese dishes.

Take a table at the Cafe of the Senses and enjoy the music of Scatter the Cats at 5:00 pm. The 'Cats' are a collective of well-known Owen Sound area musicians who perform great tunes with a 'wee' bit of an Irish twist. Then you can polish off you meal with some dessert - homemade butter tarts, cookies, ice cream, yogurt or cake.

The sound of bagpipes signal the Opening Ceremonies at the Amphitheatre stage. Bob Dixon has been 'piping in' Summerfolk for as long as I can remember. Dressed in his Scottish tartan, Bob's music echoes throughout Kelso Beach Park and calls all to take their seats for the evening concerts.

The first words you will hear are those from Dave Carr, the 'Voice of Summerfolk'. Dave is a veteran Owen Sound broadcaster and music aficionado. Following greetings delivered by the dignitaries, the music begins!

Friday night's Amphitheatre concert line-up is full of talent! In order of appearance, the schedule looks like this:

Hard Ryde Bluegrass Band - one of Canada's top bluegrass groups gets things started

Erica Wheeler - a singer/songwriter who paints musical portraits and landscapes

Shane Cook - award winning fiddler along with Brian Pickell, Jake Charron and Tiffany Fewster

David Woodhead's Confabulation - an innovative musical interplay of folk, poetry and jazz

Brian McNeill - Scotland's musical treasure

Hoots & Hellmouth - high-energy acoustic quartet

Valdy - Canada's folk troubadour

Trout Fishing in America - Summerfolk favourites Erza Idlet and Keith Grimwood are back


The Amphitheatre at Kelso is magical. The sound system is finely tuned and every seat is a good one. There is nothing quite like listening to music outdoors. Attending an evening concert in the Amphitheatre at Summerfolk is an unforgettable experience.

By Friday night the artisans have their one-of-a-kind works on display. A stroll through the Artisan Village will reveal a fabulous array of handmade items. These creative artists are selected by jury for the quality of their work and are encouraged to demonstrate and discuss their craft during the weekend.

There's more to do on a summer's night at Summerfolk. The licensed Down By the Bay tent has refreshments and some great music to go with it.

Jacob Moon starts things off at 7:00 pm. Next up, bluegrass fans can catch more of Hard Ryde. Then blues band Daddy Long Legs performs 2 sets with the award-winning Suzi Vinnick playing in between.

Celtic music fans will love Poor Angus who take to the Down By the Bay stage around 11:00 pm. Highland pipes and Irish whistles are accompanied by fiddle, guitar, mandolin, bodhran and bass guitar. Swamperella closes off the evening with their infectious Cajun music sound.

Summerfolk also presents the Friday night Young & Hungry concert showcasing the talents of up-and-coming performers. Host Kristan Anderson will welcome young musicians Jonathan Jerome, Flashlight Radio featuring Ben Whiteley and Suzy Wilde, and the ultra-talented Coco Love Alcorn. The Brazilian music group The Aline Morales Band will polish the concert off in fine style.

On the Young & Hungry bill are also four acts from the Grey-Bruce region. Claire McLeish, Jon Farmer, Sarah Hillis and Liam Sanagan were selected earlier in the year for this appearance at Summerfolk.

Wow! Friday night at Summerfolk is action-packed. With three concerts, Summerfolk fans will have plenty of great music to enjoy.

Dancing at Summerfolk

When we introduced a dance tent at Summerfolk two years ago, I hoped to sometime include a Big Band sound as a part of the programming. This year it is happening!

Recalling the days when dancing to a Big Band was popular in this area, "Dance at the Pavilion" has The Lighthouse Swing Band on Sunday afternoon, August 16th, from 2:00 to 3:30 pm.

Directed by Don Johnson, The Lighthouse Swing Band is a 20 piece group featuring vocalist Shelley Parker and numerous solo instrumentalists.



The band was formed in 1984 by a group of players from Kincardine. Paisley's Shelley Parker joined them in 1985. The present lineup draws musicians from Goderich, Port Elgin, Lucknow, Mildmay, Kincardine and Sauble Beach. One trumpet player even comes up from Burlington for rehearsals every week.

"One of the big changes for the band was getting Don Johnson as our director" says Shelley. "Don retired to Sauble Beach and since 2002, he's made all the difference for us."

"We learn something from him each time out. He does not miss an off-note in the band. We are very fortunate to have him."

"It was Don Johnson who initiated the jazz program at Humber College and was on the faculty for many years. He led many Big Bands in Toronto and was musical director for The Juliette Show on CBC television."

When I asked Shelley about their repertoire she said "We go back to the 40's right up to the present day. Songs like Mack the Knife and New York, New York are always favourites. We even do a version of YMCA. A waltz, bosa nova, tango, jive - you have to be prepared to do them all."

Swing music began in the 1920s, distinguished by a more supple feel than earlier jazz and a walking bass line. After 1935, big bands rose to prominence and had a major role in defining swing as a distinctive style.

The danceable music of bandleaders such as Benny Goodman and Count Basie was the dominant form of popular music from 1935 to 1945.

When I was a young musician starting my own career, we often played at many of the dance halls and pavilions scattered throughout this area. I was always fascinated with the history of the buildings. Constructed for dancing and with great acoustics, they held memories from a great era of music.

"Let's Dance: A Celebration of Ontario's Dance Halls and Summer Dance Pavilions", a book written by Peter Young, recalls this history of Big Band dances in this part of the province. The following are some of beach halls that you might know.

The Balmy Beach Dance Pavilion where Lloyd Kibbler's Orchestra played had the recognition of the best dance floor in Ontario during the late 40's and 50's. The building was demolished in June 1962 and the land sub-divided for home building lots.

Oliphant's McKenzie's Pavilion was built in 1921. During the '30s and '40s, McKenzie's Pavilion attracted dancers from up and down Lake Huron and the Georgian Bay shores of the Bruce and from the city of Owen Sound. Mac McKenzie recalls working at the dance hall with his brother Don. Dressed in white shorts and blue blazers, they took tickets as couples entered the dance floor and made certain that all left after the second dance.

The original pavilion at Sauble Beach, called the Octagon after its unique shape, was built in 1933. Wally Scott (who had his own band) and Jack Robertson purchased the hall in 1946. Later they added a terrazzo floor to the east so couples could dance under the stars on warm summer evenings. In 1950, they flattened the old structure and built a new pavilion on the same site, leaving the open-air portion as it was. The new building with its enlarged interior and outdoor floor could hold up to 2,500 dancers. The Pavilion also hosted Wednesday night country dances with Don Robertson's Ranch Boys. During the Big Band era, one of the popular orchestras to play the pavilion on a regular basis was led by Warren Ovens from Kitchener.

The Annex at Southampton's Breakers Lodge was a popular dance pavilion before it was converted into guest rooms. Russell Knowles built the dance pavilion during the 1920s bringing in well-known orchestras such as Guy Lombardo and His Royal Canadians, Ferde Mowry's group and many others.

Port Elgin's Cedar Crescent Casino was one of the crown jewels along the Lake Huron shoreline. Built in 1924, the hall ran dances six nights a week attracting hundreds of eager residents and summer vacationers. From 1950 to 1964 Lloyd Kibbler's Big Band from Owen Sound was the Casino's house band. The Casino burnt to the ground in 1970.

Long before the Bruce Nuclear Generating Station was even a glow in Ontario Hydro's eyes, the small community of Inverhuron created its own unique energy at the Inverhuron Dance Pavilion built in 1930.

The Kincardine Pavilion is the only hall of its kind still operating along Lake Huron. Inside the hall was a large circular light that looked like a moon when it was illuminated during a song with the word "moon" in the title and also, for the last dance of the night. Music of every type from Big Band to country to rock'n'roll has been performed here. Orchestras included Don Messer, Lionel Thorton, Mart Kenney, the John Brenan Band and Johnny Downs.

Summerfolk's "Dance at the Pavilion" hopes to re-create some of the magic of this bygone era. The Lighthouse Swing Band with trumpet, sax and trombone sections brings swing music to life and is perfect for dancing.

Of course there will be lots of opportunity to enjoy other styles of dance at Summerfolk as well. On Saturday night we feature an Evening Country Dance followed by a Cajun dance.

During the day on Saturday and Sunday there are several contra dance sessions, a Quebecois Kitchen Party with Benoit Bourque and a Brazilian dance workshop with The Aline Morales Band.

Come kick up your heels or glide across the dance floor to the best in music at Summerfolk.

World Music at Summerfolk

The term 'world music' is often used to describe a musical genre presented at folk festivals such as Summerfolk. Exploring the history of tradtional forms of music from different countries can be fascinating.

Fado singer Tony Gouveia was born in Lisbon and came to Canada at the age of 13. His musical career took hold with the formation of the band Tabu. Tony established a reputation in North America’s Portuguese community for his vocal work with this group.

Based in Cambridge, Ontario, Tabu played everything from Latin to Portuguese, Italian to Top 40. Over a 20 year run, beginning in 1986, the band toured extensively. In 2007 they won the prestigious Merit Award for Music presented by the Alliance of Portuguese Clubs & Associations of Ontario.

Tony's wife was the one responsible for his re-connection with traditional Portuguese fado music. She listened to fado at home and loved it. Eventually Gouveia was once again hooked on it too – not only as a listener, but this time as a performer.

He had never forgotten the fados that his father used to sing at family gatherings. By adding elements from his Tabu stage experience with the tradition of fado, his performance style is rivetting. You may not understand the Portuguese lyrics but you will be moved when you hear the songs of Tony Gouveia. The music embodies the essence of the Portuguese soul.

Fado music is arguably the oldest urban folk music in the world. Some say it came as a dance from Africa in the 19th century and was adopted by the poor on the streets of Lisbon. Others think it started at sea as the sad, melodic songs coaxed from the ocean waves by homesick sailors and fishermen.

Whatever its origins, the themes have remained constant: destiny, betrayal in love, death and despair. The essential element of fado music is saudade, a Portuguese word that translates roughly as longing, or nostalgia for unrealized dreams.

By the early twentieth century, fado had become a fixture in the everyday life of Lisbon’s working class. It was played for pleasure but also to relieve the pain of life. Skilled singers known as fadistas performed at the end of the day and long into the night in the Alfama and Mouraria sections of Lisbon.

Like other forms of folk music such as American blues, Argentine tango or Greek rebitika, fado cannot be explained; it must be felt and experienced. One must have the soul to transmit that feeling. A fadista who does not possess saudade is thought of as inauthentic.
Fado can be performed by men or women. A fadista stands in front of the musicians and communicates through gesture and facial expressions. The hands move, the body is stationary. When done correctly, it is a majestic performance.

The towering figure of Portuguese fado was Amalia Rodrigues. From the 1940’s until her death in 1999, she was the diva of fado worshipped at home and celebrated abroad as the most famous representative of Portuguese culture. When she died the country’s prime minister called for three days of national mourning. Such is the hold of fado over the people of Portugal.

Tony Gouveia comes to Summerfolk backed by a trio of fine musicians. This is a unique opportunity to hear traditional Portuguese folk blues performed with intensity and passion.


Ragleela was first founded in India in 1990 by sitar maestro Uwe Neumann. Upon his arrival to Montreal in 2000, he was joined by guitarist Jean-Marc Hébert and tabla player Shankar Das. Ragleela was reborn.

Now a quintet, Ragleela blends the richness of Indian ragas with occidental melodies. The result is a sound very interesting to the western ear. Neumann’s sitar is the centrepiece of their music but it isn’t about revisiting hallowed ragas. Rather, the group revels in the space between jazz, folk and Indian classical music.

In their original compositions, the sitar sets the tune over guitar patterns, violin lines and grooves of both Indian tablas and percussion. Their explorations on melodic hooks are not at all out of place in a western pop context. It is peaceable music with subtle nuances that invigorate the listener.

Ragleela concerts across Canada have left audiences enchanted and inspired by the power of their unique musical fusion.

Uwe Neumann discovered the sitar in a most unusual fashion. He was in Benares, considered to be the holiest of all pilgrimage sites in India. Home to many famous temples, virtually every block in the city features a shrine.

As he walked down a crowded lane, a stranger approached him and offered free lessons in sitar. Neumann, who had played classical guitar in church choirs and was an accomplished folk and jazz guitarist in hometown Nuremberg, followed the man into a shop. He tuned in to the sounds of the sitar and was hooked.

Neumann then studied Indian music for 10 years in the Bengal region. He beame comfortable enough with the lore and theory to shape it in a personal fashion. "We play in a traditional style" says Neumann of their music. "A bit more dynamic maybe, but still traditional ragas."

Improvising is a feature of ragas. "It's always improvisations on a theme," he explains. "To define raga is quite difficult but one has a scale, and each note of that scale has its particular character. The relationship between the notes is defined by how you move from one to the other."

Neumann was also attracted by the unique development of melody in Hindustani classical music. "Most of the popular music we're exposed to has a strong beat and harmonic structure. I realized I needed to work more with melody."

Ragleela's guitarist Jean-Marc Hébert studied classical guitar at the University of Toronto and takes a major role in shaping the arrangements for the band. Tabla player Bertil Schulrabe studied the instrument in India and has appeared on numerous world music CDs.

Violinist Marie-Soleil Bélanger performed for many years with Richard Desjardins and played on a Lhasa CD. Eric Breton plays percussion in many musical styles - those of Africa, Maghreb, Brazil, Haiti and Cuba, and of course, Ragleela's Indian-based music.

There is a stirring beauty and an underlying message of love and happiness to Ragleela's music.

Ragleela and Tony Gouveia, along with Brazil's Aline Morales, Australia's Chloe Hall, the African group Soul Influence and Scotland's Brian McNeill bring a world of music to Summerfolk this August 14, 15 and 16.